2019年11月10日 (星期日)下午3時
香港演藝學院 香港賽馬會演藝劇院
$300*, $200*,$100 (*設有優惠)
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31 288 288

香港新世代藝術協會(HKGNA) 與韓國駐香港領事館及駐香港韓國文化院合辦音樂會,邀請小提琴家康珠美和鋼琴家孫熱音,在第六屆HKGNA音樂節「歌頌世界卓越女性藝術家」中演出。

作為韓國家喻戶曉的人物,小提琴家康珠美的國際演奏事業遍及亞洲、歐洲和美國,她頻繁與許多一流的交響樂團和指揮家合作。康珠美五歲的就與漢堡交響樂團進行了她的協奏曲首演。
她已經與許多一流的歐洲交響樂團合作演出過,包括萊比錫格萬特豪斯交響樂團、科隆室內樂團、波羅的海室內樂、鹿特丹愛樂樂團、 瑞士羅曼的交響樂團、NHK交響樂團,及馬林斯基劇院交響樂團等等。她被韓國主流報紙《東亞時報》評選為 「韓國最有前途和最具影響力的一百個人物」之一。康珠美贏得多個國際獎項第一名,包括印第安納波利斯國際小提琴比賽、首爾小提琴比賽和仙台小提琴比賽 。

鋼琴家孫熱音自2015年後,再次回歸HKGNA音樂節!她受到多個國際管弦樂團青睞,曾與科隆居策尼希樂團、 紐約愛樂樂團、以色列愛樂樂團、NHK交響樂團、馬林斯基劇院交響樂團、聖馬丁學院、瑞士羅曼德管弦樂團、首爾愛樂樂團、聖彼得堡愛樂樂團和莫斯科名家室內管弦樂團等等。她於莫斯科柴可夫斯基國際音樂比賽,她榮獲「最佳室內樂協奏曲演出」及「最佳蕭卓倫的委約作品演出」獎項,及在范克萊本國際鋼琴大賽中獲得銀獎,使她的名聲更為顯赫。她常在世界各地舉行獨奏及室樂演奏,包括在今年7月,與BBC交響樂團在韋爾伯指揮下,首次在逍遙音樂會亮相。
2018年,孫氏獲委任為平昌音樂節藝術總監,負責夏季和冬季平昌奧運會音樂節目。她是首爾藝術中心及其出生地原州的榮譽大使。

康珠美和孫熱音合作無間,是次二重奏音樂會將是她們首次在香港一同演出!今次的音樂會他們會演奏舒曼、克拉拉·舒曼 和布拉姆斯的作品,展露三位作曲家撲朔迷離的關係,以及紀念克拉拉·舒曼的200歲壽辰!

節目

克拉拉‧舒曼
給小提琴與鋼琴的三首浪漫曲,作品22

羅伯特‧ 舒曼
第一小提琴與鋼琴奏鳴曲,作品105

中場休息

羅伯特‧舒曼
《三首浪漫曲》,作品94

布拉姆斯
D小調第三小提琴與鋼琴奏鳴曲,Op.108

音樂節演出者

康珠美是一位氣質優雅,追求完美的藝術家,她的國際演奏事業遍及亞洲和歐洲,她頻繁與許多一流的交響樂團和指揮家合作,她獲得2010年印第安納波利斯國際小提琴比賽的第一名,同時,她還是首爾小提琴比賽(2009年)和仙台小提琴比賽(2010年)的金獎得主。

康珠美五歲就與漢堡交響樂團進行了她的協奏曲首演。作為韓國家喻戶曉的人物,小提琴家康珠美的國際演奏事業遍及亞洲、歐洲和美國,她頻繁與許多一流的交響樂團和指揮家合作。她已經與許多一流的歐洲交響樂團合作演出過,包括萊比錫格萬特豪斯交響樂團、科隆室內樂團、波羅的海室內樂團、鹿特丹愛樂樂團、 瑞士羅曼的交響樂團、NHK交響樂團,及馬林斯基劇院交響樂團等等。 2012年,她被韓國主流報紙《東亞時報》評選為「韓國最有前途和最具影響力的一百個人物」之一。她每年都回韓國巡演。2012年因傑出的國際成就獲得了大元音樂獎,2015年,獲得錦湖年度音樂家獎。

康珠美出生在德國的一個音樂之家,她三歲開始學小提琴,一年後,作為有史以來年紀最小的學生考入曼海姆音樂學校。後來她隨扎哈·布朗在呂貝克音樂學校學習。十一歲時她以全額獎學金考入茱莉亞音樂學校,隨多蘿西·迪雷學習。她在韓國國家藝術大學獲得本科和研究生學位後,在慕尼黑音樂學院隨克里斯托弗·波彭學習。

康珠美目前演奏一把1780年的“前施特勞斯”斯特拉迪瓦裡小提琴,由韓國三星文化基金會租借。

Yeol Eum Son’s graceful and timeless interpretations, crystalline touch and versatile, thrilling performances have caught the attention of audiences worldwide. Praised for her widely eclectic concerti repertoire, ranging from Bach and all-Mozart to Shchedrin and Gershwin, her recent concerto highlights include appearances with the Gürzenich-Orchester Köln, Konzerthausorchester Berlin, Dresdner Philharmoniker, The Tonkunstler Orchestra at the Grafenegg Festival and Bergen Philharmonic (Dmitrij Kitajenko and Pablo González); a debut Paris date with Orchestre Philharmonique de Radio France (Mikko Franck); Swiss concerto debut with Orchestre de la Suisse Romande (Susanna Mälkki and Jonathan Nott) amongst many others.

A distinguished Mozart interpreter, across the 17/18 season Yeol Eum made major UK debuts with the CBSO in Birmingham (Mozart’s Piano Concerto No 21 with Omer Meir Wellber) and at London’s Cadogan Hall with the Academy of St. Martin in the Fields (Mozart’s Piano Concerti No’s 8 & 21). Her London debut coincided with Onyx CD release of a highly acclaimed all-Mozart recording featuring Mozart’s Piano Concerto No.21 with the Academy of St Martin in the Fields under Sir Neville Marriner for whom it was the very last recording. According to The Times Yeol Eum Son is a model of clarity and fleetness whilst Gramophone called the recording an uncommonly fine debut.

Strengthening her UK presence, in the 18/19 season Yeol Eum makes her BBC Prom debut with the BBC Philharmonic under the baton of Omer Meir Wellber interpreting Mozart’s Piano Concerto No. 15. Most recently Yeol Eum also made her debut at King’s Place with Aurora Orchestra (Mozart’s Piano Concerto No 21 with Nicholas Collon) and appeared at the Wigmore Hall for a chamber collaboration with the cellist Natalie Klein. In the 19/20 Yeol Eum makes her debut with Liverpool Philharmonic (Beethoven’s Emperor Concerto with Andrew Manze) and tours the UK with the Iceland Symphony Orchestra (Ravel’s Piano Concerto for the left hand with Yan Pascal Tortelier).

Further recent and future distinguished concerti appearances include collaborations with Moscow Virtuosi (Mozart Piano Concerti No’s 13 & 21 with Vladimir Spivakov); St. Petersburg Philharmonic (Ravel’s Piano Concerto for the left hand with Alexander Dimitriev); Budapest Festival Orchestra (Rachmaninov No. 2 with Dmitrij Kitajenko); Singapore and West Australian Symphony Orchestras (Mozart’s Piano Concerti No’s 27 & 21 with Vasily Petrenko) and WDR Symphony Orchestra Cologne interpreting Beethoven’s Piano Concerto No. 4 arranged for Piano and String Quintet.

A sensitive, emotional and powerful pianist, Yeol Eum gives frequent solo and chamber music performances across the globe. Most recent recitals include debuts with San Francisco Chamber Music Society, The Phillips Collection in Washington DC, Helsingborg Piano Festival, International Piano Series in Switzerland, Welsh debut at the Royal Welsh College of Music and Drama, Scottish recital debut at the East Neuk Festival for which The Scotsman presides Yeol Eum for having found that vital emotional connection with the music and physically embracing its raw energy and dynamic extremes with ferocious virtuosity. Further significant recital debuts include appearances in Luzerne (KKL Saal), Istanbul (Istanbul Recitalleri), Porto (Casa da Música), Moscow (House of Music) and Belgrade (Kolarac Concert Hall).

Yeol Eum’s new releases include two DECCA albums: recital CD Modern Times- featuring solo piano music written between 1910-1920 by Berg, Prokofiev, Stravinsky and Ravel, and Schumann and Brahms CD with violinist Clara-Jumi Kang. Previous albums include debut CD of complete Chopin Etudes (2004); Chopin Nocturnes for Piano and Strings (2008); prize-winning Cliburn Competition live performance (2009) and a multi-channel SACD O’ New World Music (2012).

In 2018, Yeol Eum was appointed Artistic Director of PyeongChang Music Festival & School in her native Korea where she is responsible for programming both summer and winter festivals at the Olympic site in PyeongChang. Yeol Eum is Honorary Ambassador of the Seoul Arts Center and her home city of Wonju. A double Second Prize winner at the Tchaikovsky International Piano Competition in 2011 and at the 13th Van Cliburn International Piano Competition in 2009, Yeol Eum Son was a student of Arie Vardi at the Hochschule für Musik Theater und Medien Hannover in Germany, where she now lives. She holds a degree from the Korean National University of Arts.

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